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December 28, 2023

Book Review: Gwendy's Magic Feather

  By Richard Chizmar

  • Pub Date: 2019
  • Where I bought this book: Household Books,  Cincinnati. 

  • Why I bought this book: I found this really cool, locally owned bookstore in my hometown, and felt I had to buy something. This was it.
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    So, I had read the first and third installments of this trilogy because Stephen King co-wrote those two. Both were good stories, well told. 

    My review of Gwendy's Button Box is here, and Gwendy's Final Task is here.

    I really did not intend to read this middle chapter, because it wasn't essential, and I was unfamiliar with the author. But when I found it in this well-curated bookstore that was part of an under-served neighborhood near mine, well, I had to support it.

    It's nice. Well written. It fits in well to the overall story. It fleshes out the details of Gwendy Peterson, the girl we met as a young teen-ager when a strange man gives her this mysterious, other-worldly button box, who is now a young U.S. Congresswoman from Maine. The button box gives rewards, can cause real pain -- up to and including Armageddon -- and has a strange pull on those who watch over it.

    It's a King creation, through and through. But as King notes in his forward, Chizmar saved the first book from oblivion, and wrote a large role in the third. On his own in the second, Chizmar does a workman-like job, giving Wendy another opportunity to do well. 

    Gwendy becomes what we expected in book one. She's the same person, only older and wiser. But the writing and story have the same flaws as the other two books: Some long-winded, drawn out, unnecessarily long scenes, lots of tropes, and filler (see, it's not just King who does all that). 

    But overall, it's a decent read.

December 18, 2023

Book Review: Lilith

 By Nikki Marmery

  • Pub Date: 2023
  • Where I bought this book: Athena Books, Greenwich, Conn. 

  • Why I bought this book: I am fascinated by the story of Lilith
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    This is a forceful and furious retelling of the Hebrew myth of Lilith, the first woman of creation, who was banished for refusing to be subservient to Adam. She was tossed out of the Garden of Eden, removed from the Bible, and erased in history. But this evocative novel brings her back, in all her glory, anger, and wisdom.

    She spends her long life -- she has attained a humble immortality -- seeking to avenge the submission of women and trying to erase the monotheistic, patriarchal society set up by the male writers in the pages of the Torah and the Christian Bible.

    It's a majestic undertaking, rich in Biblical literature and the religious history of the Middle East. It features many of the characters we know from those Bible stories, including Noah and his ark, Jezebel and Simon Peter, and Mary Magdalene and Jesus; the latter two are called by their Aramaic names, Maryam and Yehuda. It re-introduces us to Asherah, the Hebrew goddess of Heaven and the wife of Yahweh, the god of the Jewish, Christian, and Muslim faiths.

    In addition to an imaginative and convincing novel, Marmery shows a comprehensive scholarship for the Biblical era. Her sourcing range is spectacular, from the study of Hebrew and Mesopotamian myths, to Syrian and Egyptian legends, to the Gnostic Gospels, to the history of the Middle East. The languages she studies and uses include Hebrew, Aramaic, and Greek.

    Whenever I read one of these retold legends, I often wonder if the writer got things right. Of course, that's a silly thought, because all myths, even the originals, are essentially made up tales and the work of more than one person. But what I want to know is how closely does the retelling adhere to the original literature, and to the perceptions of the gods and goddesses.   

Collection of Metropolitan Museum of Art
A modern (1867) painting of Lady Lilith by Dante Gabriel  
Rossetti, who portrays her as a vain seductress and a 
demonic killer of children,
    Marmery gets it right. Remember: It's not the story, but she who tells it. Marmery tells this one well, and it's as accurate a version as any out there.

    The original has Lilith present at the creation in the Garden of Eden. She was created along with Adam, the first man. But Lilith refused to lie under Adam -- and had already eaten from the Tree of Knowledge -- and was banished. God then created Eve from a rib of Adam, making her his child and wife. Thus, Adam becomes the father of all mankind, turning biology on its head, and ushering in an era of patriarchy that erases the power of women. All children come from Adam -- the mothers, if they are even mentioned, are often unnamed.

    So in this tale, Lilith sets out to retore Asherah to her rightful place as the Queen of Heaven. As Lilith seeks to find her prophet, she lives through the flood, descends into Sheol (the Hebrew underworld) to claim her lost son, walks with Jezebel and Mary Magdalene,  and learns about Jesus. In all cases, the story is a wee bit different from what we now accept.   

    Lilith is a thoughtful, knowledgeable woman, not the evil harpy often depicted. (Indeed, she sometimes is portrayed as the banshee in Irish myth, who cries out at death, and is seen as a harbinger of doom.) 

    Yes, she does question and fight, and ultimately rejects Yahweh as a conniving, vindictive, and vain god. She defends women and their rights to seek pleasure in mind and body. She does so in an effort to seek wisdom, balance, harmony, and the divinity of women. 

December 13, 2023

Book Review: Remember Us

 By Jacqueline Woodson

  • Pub Date: 2023
  • Where I bought this book: Joy and Matt's Bookshop, Cincinnati 

  • Why I bought this book: I've read and enjoyed other books by the same author

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   I didn't realize this was a Young Adult book when I bought it; I picked it up because I liked some of Woodson's other novels.

    But as I starting reading, I realized this is a wonderful story, powerfully written and told. It features Sage, an African-American girl growing up in the Bushwick section of Brooklyn in the 1970s. It was a daunting time in New York, when houses and apartments across the city were in flames, both literally and figuratively.

    Sage describes living through it, fighting it, surviving it, and eventually thriving. She tells of being a kid, playing basketball, having fun, and dealing with life's myriad problems. She has good friends, acquaintances, and non-friends, staying close and drifting apart, dropping and reforming relationships.

    For Woodson, it's part memoir, if mostly fiction. It's warm and tender, and ultimately kind.

    I laughed; I cried. It became a part of me.