Book Review: Greenland

 By David Santos Donaldson

• Pub Date: 2021

• Genre: Literary fiction, magical realism

• Where I bought this book: Roebling Books & Coffee, Covington, Ky. 

• Why I bought this book: I liked the cover art (by Devan Shimoyama)

• Bookmark used: Roebling Books & Coffee   

 ****** 

   The esteemed Edwardian-era author E.M. Forster wrote about shaking off the shackles of his time and place. His novels and essays revolved around humanism and man's place in the world.

    In this debut novel, Donaldson attempts to go further, wandering through time, space, and thoughts. His protagonist and budding Forster fictional biography, Kipling Starling, tackles issues of accepting oneself and asserting your color, your culture, and your sexuality in a world that isn't sure it wants to have you around.

    It starts with Kip explaining his novel-within-a-novel -- an examination of the three years that Forster, a conscientious objector, lived in Alexandria, Egypt, as a Red Cross volunteer during World War I. There, he met and fell in love with Mohammed el Adl, a tram conductor.

    Kip, under pressure from himself and his publisher to rewrite the novel in three weeks, locks himself in the basement of an apartment he shares with his lover, Ben. In doing so, he imagines himself taking on the persona of Mohammed -- both are young, gay Black men, and each has fallen in love with an older, more established white man. Even the settings pair the two men -- in 1919, Mohammed spent six months in an isolated prison cell.

    From there, the themes evolve as Mohammed speaks through Kip's novel, and Kip tells his own biography and evolution as a writer and gay man.     

    Kip is having an identity crisis and unable to define or accept himself. He says he is British because he was born and raised in "a perfectly Victorian house" -- and not British because his parents are of Caribbean and Indian heritages. He is named after one of the foremost racist and colonialist intellectuals of all time, the promoter and defender of the white man's burden. 

Take up the White Man's burden--

        And reap his old reward,

The blame of  those ye better,

        The hate of those ye guard--

     Kip is also aware that in his upbringing -- not unlike the times of Forster and Muhammed -- "if displays of desire were out of the question, homosexuality was unmentionable."

    Kip has additional problems. His closest friend, Carmen, a Spanish woman open about her need to express and flaunt her sensuous nature, is dismissive of men, gay, straight or both, who fail to do the same, in favor of being comfortable. She puts Kip and Ben into that category. Kip's literary hero was a closeted gay man who published his only book addressing the issue of his homosexuality posthumously. 

    And in his writings, and in Forster's love affairs, Kip sees himself as many characters, but always the object of affection -- the exploited Mohammed, and the potential lover of Mohammed -- through the aura of time.

    It all gets complicated, and you have to pay attention to the blending of dimensions, characters, and actions. There's a sense of magical realism here, even while Kip expresses his desire to be grounded in the reality of the present.

Book Review: Mister, Mister

  By Guy Gunaratne

• Pub Date: 2023

• Genre: Literature, Fictional Memoir

• Where I bought this book: Barnes & Nobel, Florence, Ky. 

• Why I bought this book: I liked his first novel about growing up in Birmingham  

 ******

 

   When Yahya Bas, British subject, Islamic poet -- and thus suspected terrorist -- awakes in an isolated jail cell, a policeman is there to take his statement. Bas refuses to say anything. Instead, he cuts out his tongue, preferring to write his story. 

    That is this book.

    It's a memoir, a political statement, a tale of growing up poor and out of place -- both culturally and geographically -- in the West Midlands of England.

    It's a wonderful tale from a poet, a suspected terrorist, and a literary phenom. He's tired of being bullied, suspected, and deceived. 

    "I just want you to listen," he says early in the tale. "I have plenty to say."

    So he writes his story, from his birth to a Muslim family that is only partially his own. His mother is around, but she has mental issues and stays alone in her room. So Yahya is mothered by a group of women, all of whom live in the dilapidate building with his uncle, Sisi Gamal, his teacher, mentor, and sometimes tormentor.

    He winds up attending a Muslim school, where he meets up with a group of friends, exploring Britain's treatment of the world, including his Islamic culture. He is profound, literate, angry. He studies all manner of writings, from the poets of ancient Egypt, Syria, and other parts of the Middle East, to the European scribes of the Middle Ages and onward.

    Soon, Yehya starts writing poetry. It is profane and bitter. He takes the name Al-Bayn, a nod to his culture, an ancient Greek or Celtic name for Britain, and the mystic world of William Blake. He becomes famous in his own community, attracting large crowds and disruptions. The authorities, fearful of his writings and his impact, see him as a threat.

     So he flees and wanders, eventually finding himself in the desert world of his ancestors. In his voluntary exile, he find his own heritage lovely if uncomfortable, difficult if welcoming. He find acceptance, but pushes away, and his return to England is not as voluntary as his leaving. 

    Yet no matter where he goes, he finds himself a nomad, an outsider. He has a lot to say, but he struggles with what it means. We struggle along with him.

Book Review: Lilith

 By Nikki Marmery

• Pub Date: 2023

• Where I bought this book: Athena Books, Greenwich, Conn. 

• Why I bought this book: I am fascinated by the story of Lilith

 *********

    This is a forceful and furious retelling of the Hebrew myth of Lilith, the first woman of creation, who was banished for refusing to be subservient to Adam. She was tossed out of the Garden of Eden, removed from the Bible, and erased in history. But this evocative novel brings her back, in all her glory, anger, and wisdom.

    She spends her long life -- she has attained a humble immortality -- seeking to avenge the submission of women and trying to erase the monotheistic, patriarchal society set up by the male writers in the pages of the Torah and the Christian Bible.

    It's a majestic undertaking, rich in Biblical literature and the religious history of the Middle East. It features many of the characters we know from those Bible stories, including Noah and his ark, Jezebel and Simon Peter, and Mary Magdalene and Jesus; the latter two are called by their Aramaic names, Maryam and Yehuda. It re-introduces us to Asherah, the Hebrew goddess of Heaven and the wife of Yahweh, the god of the Jewish, Christian, and Muslim faiths.

    In addition to an imaginative and convincing novel, Marmery shows a comprehensive scholarship for the Biblical era. Her sourcing range is spectacular, from the study of Hebrew and Mesopotamian myths, to Syrian and Egyptian legends, to the Gnostic Gospels, to the history of the Middle East. The languages she studies and uses include Hebrew, Aramaic, and Greek.

    Whenever I read one of these retold legends, I often wonder if the writer got things right. Of course, that's a silly thought, because all myths, even the originals, are essentially made up tales and the work of more than one person. But what I want to know is how closely does the retelling adhere to the original literature, and to the perceptions of the gods and goddesses.   

Collection of Metropolitan Museum of Art

A modern (1867) painting of Lady Lilith by Dante Gabriel  

Rossetti, who portrays her as a vain seductress and a 

demonic killer of children,

    Marmery gets it right. Remember: It's not the story, but she who tells it. Marmery tells this one well, and it's as accurate a version as any out there.

    The original has Lilith present at the creation in the Garden of Eden. She was created along with Adam, the first man. But Lilith refused to lie under Adam -- and had already eaten from the Tree of Knowledge -- and was banished. God then created Eve from a rib of Adam, making her his child and wife. Thus, Adam becomes the father of all mankind, turning biology on its head, and ushering in an era of patriarchy that erases the power of women. All children come from Adam -- the mothers, if they are even mentioned, are often unnamed.

    So in this tale, Lilith sets out to retore Asherah to her rightful place as the Queen of Heaven. As Lilith seeks to find her prophet, she lives through the flood, descends into Sheol (the Hebrew underworld) to claim her lost son, walks with Jezebel and Mary Magdalene,  and learns about Jesus. In all cases, the story is a wee bit different from what we now accept.   

    Lilith is a thoughtful, knowledgeable woman, not the evil harpy often depicted. (Indeed, she sometimes is portrayed as the banshee in Irish myth, who cries out at death, and is seen as a harbinger of doom.) 

    Yes, she does question and fight, and ultimately rejects Yahweh as a conniving, vindictive, and vain god. She defends women and their rights to seek pleasure in mind and body. She does so in an effort to seek wisdom, balance, harmony, and the divinity of women.