By Katy Hays
- Pub Date: 2022
- Genre: Fantasy
- Where I bought this book: The Book Loft, Columbus, Ohio
- Why I bought this book: I grew up blocks from The Cloisters in New York City
It's not often my old neighborhood in New York is highlighted in a novel. Even in maps, Manhattan gets chopped off somewhere uptown from Harlem, like it's not worth the effort to draw the streets of Inwood.
But The Cloisters are two subway stops from where I grew up on 207th Street. Not that I went there a lot; I think the only time I've been was on a field trip during my elementary school days.
Still, there's a lot to be said for seeing familiar places and streets in a novel. And it's a decent overall story. Not mind-blowing, but with an array of incongruous yet curiously well matched characters, it's well plotted and well told.
Our narrator -- who is either unreliable or unknowing -- is Ann Stilwell from Walla Walla, Wash. She's a smart if unsophisticated art history major, coming to New York for a summer internship at the world renowned Metropolitan Museum of Art on Fifth Avenue in Midtown. But there's a mix up and her job is now unavailable.
Serendipitously though, she is rescued by Patrick, the dashing curator of the Cloisters, who says he can use her talents at the relatively obscure medieval museum uptown near 190th Street. There, she meets Rachel, a young, cultured, and worldly researcher, and Leo, the gardener with a discerning knowledge of the plants and herbs grown at the museum and a side gig as a punk rock musician.
In the rarified air of the museum, we discover a lot is going on. Secretive stuff, which involves tarot cards and divination, late night unannounced meetings, and the questionable provenance of artifacts some employees are buying and selling on the side.
The story centers on the relationships between the main characters, a complicated web of intrigue and personal histories. In between we have Ann's journey of discovering the city's diverse neighborhoods, and her telling the history of the Cloisters, the Renaissance period, and Medieval art.
Sometime, it's difficult to follow the rationales of the characters, and several times you find yourself thinking things will not end well. We wonder if they are devious, diabolical, brilliant, or some combination.
As a murder mystery (yes, there is one) and police procedural, the story is not very good. As a potential romance, it's mundane. Where it hits its peaks is as an art tutorial, tour guide, and language explainer. Here, the writer finds her niche, with compelling writing and deep insights.
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