Book Review: Learned By Heart

 By Emma Donoghue

• Pub Date: 2023

• Where I bought this book: Roebling Point Books, Covington, Ky. 

• Why I bought this book: Donoghue is one of my go-to writers

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   Writing a work of historical fiction that closely hews to the truth about the time period and the people involved takes a lot of work and research, as well as imagination and writing skills. Donoghue nails it.

    Using letters from the protagonist, Eliza Raine, along with other explorations of her life, Donoghue puts together a story of young love, frustration, and gender non-conformity in a girls school in early 19th Century England. It's a story of melancholy, misunderstanding, and mischief.

    Eliza is the child of an English father and a mother from India. Her friend Lister is from Yorkshire, and is what was once called a tomboy -- daring, wild, and reluctant to conform to society's expectations and gender stereotypes. Both are orphans who live with male caretakers, and are shipped off to live in the Manor School for young ladies in York.

    There's a sadness in this novel, born of two girls trying to navigate a world that refuses to accept them, and in which they cannot live happily. The structures set for them ignore their wants, needs, and desires. For Eliza, there is the added nuance of race -- her Indian heritage is clear in the color of her skin, and it influences every facet of her young life. 

    She is seen as neither English nor Indian; every time she tries to assert her Englishness, she is rejected as a half-breed, a child of colonialists, a girl that belongs neither here nor there. Lister finds her own rejections sort of thrilling; she can fall back on her supposed high class and the wealth of her family's holding in York.

    We rarely know what is really happening. Some of the characters may be unreliable, or are holding back their reality. Situations change, and as the girls find love in each other, the world around them can be mystifying. 

    One metaphor comes from Mr. Tate, one of of the few male figures at the school, a  teacher and husband of one of the mothers of the dormitory. Despite his talents as a musician and instructor, he finds only sadness in his work, despite the joy he brings to others.

    Donoghue depends heavily on the time and place, the changing mores and structures of the Georgian period in Great Britain. Much in the tale is left to the reader's imagination, but it remains a thrilling and evocative read.

Book Review: Babel

• By R. F. Kuang

• Pub Date: 2022

• Where I bought this book: The Book Loft, Columbus, Ohio 

• Why I bought this book: It called out to me

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     This is an extraordinary tale that uses magic and fantasy to explore the realms of language as it's used and abused to use and abuse people.

    It revels in the history and decadence of language, its twists and turns, its meanings and context. We see its glory and honor, and its brutalities and  tragedies. We see it as homey and friendly with a welcoming smile. We see it as elite and fastidious, with a smirk and ridicule.

    And in this story about the fictional history of the revolt and strike by the translators of Oxford, we see that language is used by the privileged and powerful for their own ends. And, of course, those privileged and powerful are white men. The translators include some women and a small cohort of people of color, but only as necessary to perform the difficult if unpretentious tasks.

    The setting is Oxford, England, a small college town some 50 miles from London, but several hundred years removed from what's described as a stinking, bustling, crime-infested city of thieves and thugs and foreigners. Oxford is determinately quaint, sophisticated, and, well, well-educated.

    The time is the early 19th Century. The Silver Revolution is in fill swing, its magic providing clean water, quick transportation, and a better life for those who deserved it. 

Book jacket photo

Author R. F. Kuang is a remarkable woman.

She is a translator with master's degrees from

Cambridge and Oxford in Chinese studies, 

and who is studying for a doctorate in East

Asian languages from Yale. She has written

six books, and has been nominated for 

the Hugo, Nebula, Locust and several other

awards for her works. She is 26 years old.

    The characters are few -- the translating cohort of Robin, "rescued" from the slums of Canton, China, who can pass for white if you don't look too closely; Ramy, a lad from Calcutta, proudly brown-skinned but aware of the dangers from the bigoted; Victoire, a Black French woman originally from Haiti, and Letty, the "English Rose," who is both part of the privileged high society but a second-class citizen because she's a woman.

    Other characters include the high-minded if mysterious Professor Lovell, who takes in Robin to prepare and raise him for a spot at Oxford. Others -- several who become instrumental to the plot -- come and go and are well-rounded, if there only to serve specific purposes in the story.

    Indeed, even the main characters are plot specific, and serve as representations of larger societal issues. Even the plot points are metaphors: the Silver Revolution is the Industrial Revolution, if more intellectual -- and magical. 

    (In this world, silver and words combine to bring power, and the translators do the dirty work. England obtains silver bars from elsewhere, through means nefarious, but which it deems legal. The translators perform the magic, inscribing paired words from various languages, which allows the bars to provide a way to make possible train travel, electricity, and other modern wonders.)

    The story is heavily about the class structure of the British Empire, and its exploitation -- for goods, for money, for knowledge -- of the rest of the world through violence. This England is relentless in getting what it wants, regardless of the cost to other cultures and lands. The book doesn't demonize England; it simply highlights is schemes, its murders, and its wars for its own purposes.

    Even our cohort of four translators are assimilated to exploit their own countries -- China, India, and parts of Europe, Asia, Africa, and the Americas -- and accept their work as being the price of their comfort and intellectual life. But slowly, they come to realize what they are doing, and what the Oxford translators do.

    That realization and its consequences are at the heart of the book, and Kuang tears our hearts out as she tells the tale. We find ourselves sympathizing with the dilemma the four face, and understanding their choices, and why they are made.

Book Review: Same Sun Here

• Authors: Silas House and Neela Vaswani

• Where I bought this book: The 2021 Kentucky Book Fair, Lexington

• Why I bought this book: Silas House signed it.

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    Two strong writers have put together a pleasant read from the fictional correspondence between dissimilar yet emotionally connected youngsters.

    House's River Justice is a 12-year-old boy, the son of a coal miner in Eastern Kentucky. Meena Joshi is a 12-year-old immigrant from India, living in New York City's Chinatown. As part of a school assignment, Meena randomly selects River to be her pen-pal, and the pair begin to explore each other, their backgrounds, their lives, and their thoughts about their places in the world.

    It's a compelling read that shows the best of today's younger generation -- thoughtful, mindful, and caring. They discover they have many things in common, and while Meena's young childhood in India gives her some insight into River's rural Kentucky life, he is forever asking questions about New York's urban lifestyle and Meena's role in it.

    This is a book written like it is by young adults, for young adults.

    House writes River's letters. His language is remarkable. He uses the Eastern Kentucky dialect subtly, easily capturing the rhythms and tones of his home. He gives River his distinctive Appalachian inflections -- yes, you can hear him speaking.

    Vaswani is House's equal in presenting Meena's outgoing yet thoughtful pre-teen voice. Like any 12-year-old girl, she has to ability to change tone within seconds. One sentence she write as foot-stomping angry, and the next returns as the calm, compassionate friend.

    As they learn about each other, they find their worlds are being threatened. Meena sees her neighborhood changing and casting aside some who have lived in their rent-controled apartments their entire lives. The cause is the landlord's desire to increase their rent or force them out and sell the apartment for a high profit. To make the apartments unliveable for the current residents, they withhold servuves or refuse to perform routine maintenance. 

    Likewise, River sees his beloved mountains and woods being destroyed to bring out more coal. The coal barons are literally stripping away the mountaintops to get to the coal seams, in the process dumping toxic waste wherever they can -- usually in the rivers and streams.

    The difference is the landlords are deliberately being cruel, while the coal barons don't care.

    Both youths explain what is going one and how they and their communities are fighting it as best they can. So at its best it's a hopeful story, one befitting the authors who are telling it in the voices of the youths who are living it.