Book Review: King of the Armadillos

 By Wendy Chin-Tanner

• Pub Date: 2023

• Where I bought this book: Irvington Vinyl & Books, Indianapolis 

• Why I bought this book: It's about Chinese immigrants in the Bronx, and it has a great title.*

 *******

    Hansen's disease has been around at least since Biblical times, and it's always been seen as a nasty, frightful, and stigmatizing sickness. It attacks both the body and mind, with painful skin lesions, muscular weakening, growths on or swelling of the nerves or skin, and potential blindness. 

    Formerly called leprosy, those afflicted had been damned as lepers. It was believed to be caused by sinful actions, wrongly thought to be highly contagious, and, more recently, to be spread by people from China.

    That last part is particularly meaningful to this novel, which tells the story of an immigrant Chinese boy who contracts the disease in 1950s New York.

    This self-enclosed novel takes places in that period, and oftentimes brings in the characters' pasts to explain their actions and choices. And those choices matter, whether immediately or sometime in the future. And while time goes by, we see the results and longer term implications of those decisions. 

    Victor Chin is the young boy who emigrated from China to New York with his father, Sam, and older brother Henry. Sam's wife and the boys' mother, Mei, stays behind in their  Chinese village of family obligations. She writes often, and everyone plans for her to one day join them in America.

    Sam works in and later buys a Chinese laundry. There, he meet Ruth, a Jewish woman who soon becomes his lover, and a maternal figure to the two boys.

    But their lives are turned upside down when Victor contracts Hansen's and is sent to a sanatorium in Carville, La.

    It is here where the story begins to move quickly. Victor finds friends, perhaps love, continues to write (never mentioning his disease) to his mother in China, and finds a new relationship with Ruth. He also exhibits a growing independence from his family in New York, and a love and genius for music.

He'd never been exposed to much religion, ... but Victor thought there might be something spiritual about what music made him feel. Maybe that was what people meant when they said they felt the presence of God. A feeling of not being alone, a feeling of being safe. A feeling that there, in the temple of sound he visited when he listened or played, he could let go of what he'd been holding on to so tightly.

    This is the strength of the tale, the heart and soul of the story. Victor begins to find his place in the world, and while knowing that his family may always be there, knows he must take control of his life. We learn more about the background of the other characters, and where they come from.

    Now, it is Victor's turn to stake out his life, to grow up, to come of age as a Chinese immigrant in American.

    The writing here is superb, and the story is about a life -- making decisions, growing and learning, not knowing what the future may portend, but willing to move forward while holding on to the memories and places and people that helped make you.

---------------------------------------------------

    *He considers himself the King of the Armadillos and takes them as a mascot after learning they are one of the few mammals, beside humans, who contract Hansen's disease.

Book Review: Babel

• By R. F. Kuang

• Pub Date: 2022

• Where I bought this book: The Book Loft, Columbus, Ohio 

• Why I bought this book: It called out to me

**********

   

     This is an extraordinary tale that uses magic and fantasy to explore the realms of language as it's used and abused to use and abuse people.

    It revels in the history and decadence of language, its twists and turns, its meanings and context. We see its glory and honor, and its brutalities and  tragedies. We see it as homey and friendly with a welcoming smile. We see it as elite and fastidious, with a smirk and ridicule.

    And in this story about the fictional history of the revolt and strike by the translators of Oxford, we see that language is used by the privileged and powerful for their own ends. And, of course, those privileged and powerful are white men. The translators include some women and a small cohort of people of color, but only as necessary to perform the difficult if unpretentious tasks.

    The setting is Oxford, England, a small college town some 50 miles from London, but several hundred years removed from what's described as a stinking, bustling, crime-infested city of thieves and thugs and foreigners. Oxford is determinately quaint, sophisticated, and, well, well-educated.

    The time is the early 19th Century. The Silver Revolution is in fill swing, its magic providing clean water, quick transportation, and a better life for those who deserved it. 

Book jacket photo

Author R. F. Kuang is a remarkable woman.

She is a translator with master's degrees from

Cambridge and Oxford in Chinese studies, 

and who is studying for a doctorate in East

Asian languages from Yale. She has written

six books, and has been nominated for 

the Hugo, Nebula, Locust and several other

awards for her works. She is 26 years old.

    The characters are few -- the translating cohort of Robin, "rescued" from the slums of Canton, China, who can pass for white if you don't look too closely; Ramy, a lad from Calcutta, proudly brown-skinned but aware of the dangers from the bigoted; Victoire, a Black French woman originally from Haiti, and Letty, the "English Rose," who is both part of the privileged high society but a second-class citizen because she's a woman.

    Other characters include the high-minded if mysterious Professor Lovell, who takes in Robin to prepare and raise him for a spot at Oxford. Others -- several who become instrumental to the plot -- come and go and are well-rounded, if there only to serve specific purposes in the story.

    Indeed, even the main characters are plot specific, and serve as representations of larger societal issues. Even the plot points are metaphors: the Silver Revolution is the Industrial Revolution, if more intellectual -- and magical. 

    (In this world, silver and words combine to bring power, and the translators do the dirty work. England obtains silver bars from elsewhere, through means nefarious, but which it deems legal. The translators perform the magic, inscribing paired words from various languages, which allows the bars to provide a way to make possible train travel, electricity, and other modern wonders.)

    The story is heavily about the class structure of the British Empire, and its exploitation -- for goods, for money, for knowledge -- of the rest of the world through violence. This England is relentless in getting what it wants, regardless of the cost to other cultures and lands. The book doesn't demonize England; it simply highlights is schemes, its murders, and its wars for its own purposes.

    Even our cohort of four translators are assimilated to exploit their own countries -- China, India, and parts of Europe, Asia, Africa, and the Americas -- and accept their work as being the price of their comfort and intellectual life. But slowly, they come to realize what they are doing, and what the Oxford translators do.

    That realization and its consequences are at the heart of the book, and Kuang tears our hearts out as she tells the tale. We find ourselves sympathizing with the dilemma the four face, and understanding their choices, and why they are made.

Book Review: The Three-Body Problem

• Author: Cixin Liu 

• Translator: Ken Liu

• Where I bought this book: The Book Loft, Columbus, Ohio

• Why I bought this book: The title spoke to me, and in retrospect, the cover is cool

*****

     In the end, I think I'm just not smart enough to read this book.

   

    There is some serious science in here, and much of it is over my head, even though I have read and understand the concepts of astrophysics.

    My first concern was chapter 17, which described how a group without access to mechanical computation solved a complicated calculation by building a human computer. Literally. It used 30 million people to stand in for the inner workings: the hardware, the motherboard, and the other elements that mimicked the zero-one method of computer calculation. It sounds fascinating, but I'm not sure I understood how it happened.

    Then, in another section, it works on solving a problem by creating artificial intelligence, which in turn could force a proton to shrink from 11 dimensions to two -- and why three could not work. Again, a brilliant idea in theory, but far above my understanding.

    Like its science, the novel is complicated. It's difficult. It poses existential questions within a closed political system. 

    Now beware of this review. A spoiler alert is coming up. Fair warning -- even though it will be hidden, and you don't have to click on the link.

    Author Liu spends a lot of time introducing the characters and setting the scenes, in many different, confusing ways. The story is set in China, and we know something momentous is going to happen. Something, indeed, is happening, but we don't know what.

    The author -- and his excellent translator, who gives insight into the Chinese mindset at the time of the novel's setting -- provide us with a lot of hints. The three-body problem, perhaps, is a planet system with three stars, Or moons. Or planets. (Understanding how three bodies in space stay in a stable orbit is a pressing problem in physics.) Or it's about earth. Or it's a video games. Or it's aliens. War may be involved. Heck, even religion seems to come into play.

    OK. I can't resist. Spoiler alert    

    Meanwhile, deep in rural China, something else is going on. It's secret, and because we are in the period of the cultural revolution, it's a big secret that people will kill and die for. Or maybe they won't. Like I said, it's a secret.

    If this all sounds very confusing, that's because it is. Complicating matters is that the  characters are Chinese, with Chinese names and backstories. (For a native English reader, with a limited knowledge of the culture and history of China, it's difficult to relate to.) 

    And it jumps around in places and times. It doesn't tell a linear story. We learn about various characters over the spans of their lives.

    

    Still, once you start to figure out who is who and what may be going on, you'll find those characters are an interesting group, and their motives, once revealed, make sense. The story does come together with a (mostly) logical explanation in the end.

    But, of course, it is the first book in a trilogy. So my last question is whether I am smart enough -- or dumb enough -- to delve into the next two.