Book Review: The End of the World As We Know It

 Edited by Brian Keene and Christopher Golden

• Pub Date: 2025

• Genre: Short Stories 

• Where I bought this book: Roebling Books & Coffee, Covington, Ky. 

• Why I bought this book: A group of writers bring us up-to-date on what happened after The Stand, perhaps the best of all of Stephen King's books. 

• Bookmark used: Books are Freadom

******

 

      Truth be told, I debated with myself before actually buying this book. No, it wasn't its length of 779 pages, kind of in the middle of King's oeuvre. It wasn't that I feared it was a rewrite (it's not) of my favorite of King's books, one that I have read several times. It's not that it was a long collection of short stories (I like short stories), written by authors who are mostly unknown to me (that's never stopped me before).

    As it turned out, none of my arguments against the book persuaded me. So I plunked down the 35 dollars (47 dollars Canadian) for the hefty tome.

    I'm still debating whether I liked it, and its goal of showing us the future, some 40 years after Captain Trips, Mother Abigail, and Randall Flagg first came to our attentions.

    It begins with one of King's wonderfully witty introductions, in which he explains why he is now allowing this book to be published, after he rejected the concept for many years. (The Stand first came out in 1978. I own an original copy of the Signet paperback -- then just $3.95 -- as well as a vintage, first trade edition of "the complete & uncut edition," a hefty, 1,153-page monster that is King's longest novel, and cost $24.95 [$29.95 Canadian] in 1990.)

     I also got a kick out of King's explanation of why even he thought his ending -- in both versions -- kinda sucked. As he was working through the unabridged edition, he says, he had some additional Stand stories in mind, but that "the book was already long enough, and I could imagine the critical reaction to what would be seen authorial self-indulgence if I lingered even long."

    Ya think?

    Anyway, this collection is hit and miss. Some of the stories are specific in time and set shortly after the events in The Stand; some are years or decades after. In some, it's unclear when they occur because time had not re-established itself yet, or it no longer mattered.

    Many include specific references to the characters and stories in The Stand, and knowing the details of the book is a must for anyone contemplating this one. If you don't know who Mother Abigail or Randall Flagg are, or would be confused about the references to the hit song, Baby Can You Dig Your Man?, maybe this book is not for you. (Perhaps read The Stand first. Then come back to this one. You'll be glad you did.

    Some of them are quite violent -- explicitly so -- and some sexually violent.  A few are almost unreadable. The first, Room 24, is downright creepy. It's about about a man in the aftertimes who continues his work as a policeman, although his department no longer exists. He takes on investigating cases and fantasizes about them.

    Other are mundane. My notes on one say simply, "about a boy and his dog." For a second one, I wrote: "don't care."

    But several are compelling. My favorite is "The Story I Tell is the Story of Some of Us." It's about a guy who chose to go with neither Mother Abigail nor Randall Flagg, When upbraided by another about not joining the fight against evil, the first man argued philosophically.

    "I'm choosing a third option," he says, "which is to reject both of you, to reject any further demands for a blood sacrifice." 

    Another intriguing one tells the story from the perspective of the animals that escaped from the place that caged them. The African Painted Dog, by Catriona Ward, is narrated by a pair of dogs wandering around, looking for food, looking for their mates, and wondering where all the humans and the noises have gone.

    

Book Review: The Book of Doors

 By Gareth Brown

• Pub Date: 2024

• Genre: Fantasy, magical realism

• Where I bought this book: Enchanted Novelties, Harrison, Ohio. 

• Why I bought this book: The story's concept is intriguing 

• Bookmark used: Volumes Bookstore, Chicago    

 *****

    One of the many problems with incorporating the idea of time travel into your novel is that it is inherently inconsistent. You cannot get around the fact that travel into the past is impossible. You can ignore that and claim that your characters are unable to change their present, because if that is so, what's the point? And you can ignore the idea of a djinn particle -- which allows for items to exist in a time loop, never having been invented. 

    So, you just fudge it, and let things happen without explaining them. It may cause confusion, but hey, it's just a novel, right? Don't take it too seriously.

    But in The Book of Doors, Brown wants to be taken seriously. He wants to explore the ideas of existence, of love and hate, of goodness and evil. But he leaves several big, gaping holes in his story -- such as the existence of different versions of the same person living in the same time dimension, with nothing untoward happening.

     He suffers from the flaws of many debut novels -- wanting to cram too much into the story and the writing, and not knowing when to quit.

    It's not a flawless read, but it's okay for something to sit down with on a cold winter's night.

    Here's the concept: Cassie, an unexceptional young woman who loves books, has moved to New York City and taken a job in a bookstore. She lives with a roommate, Izzy, who is far more outgoing and gregarious. One fateful evening, Mr. Webber, an older man she has befriended, dies in the store and leaves her a mysterious book.

    It's the Book of Doors, and among its scribbled texts and sketched images is a note explaining that using it means "any door is every door." Mr. Webber's added note says she  should "enjoy the places it takes you to and the friends you find there."

    But of course there is more to the book, and Cassie gets caught up in a whirlwind that threatens not only her life, and Izzy's life, but the lives of the people she meets, and, indeed, the very existence of time and space itself.

    She'll discover, through the friends and foes she meets -- including the Librarian and the Bookseller -- the enormity of what she had gotten herself into. It's truly an overwhelming adventure, not only for Cassie, Izzy, and their band of others, but for the reader. It's also a but gruesome at times.

    The characters are a mélange of the nice, the creepy, and the tropes. One, known only as "the woman," is macabre beyond measure. Another, an evil sort who gets tossed into the Old West, returns decades later as a cliche, and I half-expected him to declare himself the rootinest, tootinest cowboy in the west.

    It'll carry you along, fer sure, but only if you squint hard and don't ask too many questions.

Book Review: Mister, Mister

  By Guy Gunaratne

• Pub Date: 2023

• Genre: Literature, Fictional Memoir

• Where I bought this book: Barnes & Nobel, Florence, Ky. 

• Why I bought this book: I liked his first novel about growing up in Birmingham  

 ******

 

   When Yahya Bas, British subject, Islamic poet -- and thus suspected terrorist -- awakes in an isolated jail cell, a policeman is there to take his statement. Bas refuses to say anything. Instead, he cuts out his tongue, preferring to write his story. 

    That is this book.

    It's a memoir, a political statement, a tale of growing up poor and out of place -- both culturally and geographically -- in the West Midlands of England.

    It's a wonderful tale from a poet, a suspected terrorist, and a literary phenom. He's tired of being bullied, suspected, and deceived. 

    "I just want you to listen," he says early in the tale. "I have plenty to say."

    So he writes his story, from his birth to a Muslim family that is only partially his own. His mother is around, but she has mental issues and stays alone in her room. So Yahya is mothered by a group of women, all of whom live in the dilapidate building with his uncle, Sisi Gamal, his teacher, mentor, and sometimes tormentor.

    He winds up attending a Muslim school, where he meets up with a group of friends, exploring Britain's treatment of the world, including his Islamic culture. He is profound, literate, angry. He studies all manner of writings, from the poets of ancient Egypt, Syria, and other parts of the Middle East, to the European scribes of the Middle Ages and onward.

    Soon, Yehya starts writing poetry. It is profane and bitter. He takes the name Al-Bayn, a nod to his culture, an ancient Greek or Celtic name for Britain, and the mystic world of William Blake. He becomes famous in his own community, attracting large crowds and disruptions. The authorities, fearful of his writings and his impact, see him as a threat.

     So he flees and wanders, eventually finding himself in the desert world of his ancestors. In his voluntary exile, he find his own heritage lovely if uncomfortable, difficult if welcoming. He find acceptance, but pushes away, and his return to England is not as voluntary as his leaving. 

    Yet no matter where he goes, he finds himself a nomad, an outsider. He has a lot to say, but he struggles with what it means. We struggle along with him.

Book Review: The Fragile Threads of Power

  By V.E. Schwab

• Pub Date: 2023

• Genre: Fantasy

• Where I bought this book: The Book Loft, Columbus, Ohio 

• Why I bought this book: Well, I've read the first three novels, so may as well keep going  

 ******

    Some great characters return in this book, the fourth in the Shades of Magic series, and the first in a new series, tentatively titled the Threads of Magic*. There's Lila Bard, the angry Antari**, a messy, unsubtle whirlwind; Alucard Emery, a wealthy lord, wannabe pirate, and consort to the king, and Kell Maresh, once cocky and now uneasy, an Antari who has lost his magic.

    They are joined by a series of new magicians: Tes, a young girl who can see the threads of magic and fix broken ones; Kosika, another young girl, who finds herself the queen of White London; and Queen Nadiya Loreni, wife of the new King Rhy Maresh, a magician and scientist.***

    The locations continue to excel: There's Red London, ruled by the Maresh family -- it's the powerful London with raucous neighborhoods full of taverns and marketplaces, but it's people worry it is losing its magic; dystopian Black London, closed up after destroying its magic centuries ago; and White London, trying to make a comeback after a devastating battle with the utmost evil. We also see the return of the Ferase Stras, which you must somehow find before boarding the ship of magical stuff and paying the proper price before getting what you may need.

    So we have a bevy of cunning characters, imaginative places for them to roam, and adventurous stories about royalty and magic and betrayal, urchins and bullies, love and life and death. All of the needed background is explained in the new series, but reading the previous three is well worth your time.

    This is good stuff. The overall story is compelling; the tales and anecdotes are gripping, and we are glad to be along for the ride. Even when the books top 600 pages, they are satisfying and surprisingly quick reads.

    The only flaws I find are the scenes of the battles of magic, which sometimes get a bit overdone and confusing. But rest assured, you can rip through them and stay in touch with the stories.

    -------------------------

* When I picked up the first book, I did not know it was part of a series.

** A most powerful magician in this world.

*** After all, what is science but magic with an explanation?

Book Review: The Lives of Puppets

 By TJ Klune

• Pub Date: 2023

• Where I bought this book: The Book Loft, Columbus, Ohio 

• Why I bought this book: I liked two of his earlier books

**** 

  

    Unfortunately, Klune missed the mark with his latest offering.

   

    Not that he didn't give it his all. It contains a good heart, some unique characters, and a touch of lyrical writing. But there's not enough of that -- instead he writes too long, with too many words, and too many superfluous anecdotes -- for an overall story that's essentially pointless. Yes, it has a moral -- that we should all be kind, loving and forgiving, look beyond someone's past, and see into their hearts.

    And, boyo, does he hammer home this point, over and over and over. Both figuratively and literally.

    It's a rather simple story, sort of a robot reboot of the tale of Pinocchio, set in an unknown future time. Geppetto is in there in as the android Giovanni Lawson, whose past is not as kind and thoughtful as he appears to be in the present. The Authority (yes, it is capitalized so you know it's evil) uses an emblem of a fox and a cat. There's even a Blue Fairy, who may be the good guys.

    Indeed, cultural references are in all the characters. There's Rambo, a Roomba with the personality of your annoying kid brother. There's Nurse Ratched, who isn't quite as nasty as the original. She can be pleasant, but must point out she is Engaging Empathy Protocol every freaking time. A paragraph or two later, when she returns to normal, she must note she is Disengaging Empathy Protocol, again in all caps. 

    To avoid a spoiler alert, I don't want to say too much about Hap -- nicknamed the Hysterically Angry Puppet -- who is an integral and multi-layered character that comes along later. 

    Oh yes. There's Victor. First identified as a son of Gio, he's the only non-android in the book. I'm guessing he's supposed to be the protagonist, but he's a weak and unlikeable one, lonely and melancholy, and often morose or depressed.

    So the book goes on. It include a few tropes (Vegas is the capital of this evil empire), and some sequences that must be read with a good eye-roll. If you like this sort of thing, you'll like the book. 

Book Review: Highway 61 Resurfaced

  By Bill Fitzhugh

• Pub Date: 2005

• Where I bought this book: Roebling Books & Coffee, Covington, Ky. 

• Why I bought this book: I love old Dylan tunes

*****

    If you're going to call your novel "southern noir," it appears you should have the following themes or characters involved.

    * A kinda shady private investigator who performs the job as a sideline to his first love, which is in a dying profession that never was a lucrative life. 

    * A drugged out, wild-eyed killer who isn't very bright.

    * A rich, old, antebellum family that once ruled the roost in its small town, but since has fallen on hard times. If some of them are racist, all the better. 

    * A slightly pathetic, somewhat mangy, but still lovable pet. 

    * The plot must be convoluted and involve music -- particularly traditional, down-home music.

    * It must -- must. mind you -- have a racially-motivated injustice from long ago that is ripe to be avenged.

    * It should have guns. Lots of guns. And, if possible, a shootout.

    This sharp and sometimes comic mystery novel contains all of that, and more. Much, much more. 

    In short, the plot involves a 50-year-old murder, some lost tapes of a supposed blues recording from long ago, and a disc jockey-private investigator trying to make sense of it all. Rick Shannon, a radio DJ in the mode of Harry Chapin's W*O*L*D, has landed back in Vicksburg, Miss., at classic rock station WVBR-FM. To supplement his income, he opens Rockin' Vestigations to find missing personsand skulk around cheating spouses.

    That's how he gets involved in a case that includes several murders, lots of history and music, and the LeFleur family. The action takes him around the sweltering Delta of Mississippi, and Fitzhugh, Mississippi born-and-bred, describes its people and places well. 

    The writing is good and solid, moving the story along with ease. That story is complicated, but Shannon's steady, structured investigation, following one clue to the next one, pieces it together well.

    The result is a fun and easy read that could be used to train real investigators.

Book Review: Stone Blind

   By Natalie Haynes

• Pub Date: 2022

• Where I bought this book: Barnes & Noble, Florence, Ky. 

• Why I bought this book: Retold mythologies are quickly becoming my favorite stories

*******

    

    

    Mythological stories destroy the maxim: It is the tale, not she who tells it.

    In one corner, we have Ovid (First Century BCE and CE, Rome), who describes Medusa as a monster, and Hesiod (Eighth Century BCE, Greece), who tells how Perseus bravely slew her to protect the people of Greece from her wanton ways.

    Decently told tales they are.

     Now, along comes Natalie Haynes (present day, England), to present a different version: Medusa was a kind and loving sister of the Gorgons, Sthenno and Euryale. Perseus, meanwhile, was a silly, scared, and spineless boy who needed help from several gods to carry out his bloody deed.

    Haynes is a witty and sarcastic writer. She breathes new life into these tales with a caustic eye and a feminist perspective. She tells them tale in many voices, from Athene to Euryale to Andromeda. We even hear from Zeus and Poseidon.*

   Oh, and about those gods and goddesses? Haynes doesn't portray them much better than the original writers from back in the day. Zeus, the king of gods? He's pompous, spoiled, and moody.  His wife, Hera, is petulant, angry, and vindictive. Athene? She's easily bored, always wanting, but never satisfied. The rest of the pantheon? A venal and petty group who are dismissive of the mortals who worship them.

    But perhaps the best narrator is the wickedly funny, unapologetic, and brutally honest Gorgonian -- the voice of the slain head of Medusa. She heaps scorn on Perseus (and, in doing so, on the readers for any sympathy they may show him) beginning with the underhanded way he tricked the  Graiai to give him their shared eye and tooth.. 

I suppose you thought he was clever. Clever Perseus using his wits to defeat the disgusting old women? Your own eyes aren't all that, you know. Oh, but at least they're safe inside your head.

    She continues to mock Perseus -- who carries her around in a bag and uses her to kill people to get his way -- for his lack of courage, his cruelty, and his stupidity. She agrees she is the best narrator. "... because I was there for all of it, and because I am not a lying deceitful hateful vicious murderer."

    So there.

----------------------

* She also provides us with a glossary of characters at the beginning of the book, which is a handy reference guide throughout.

Book Review: The Long Way to a Small, Angry Planet

 By Becky Chambers

• Pub Date: 2014

• Where I bought this book: Downbound Books, Cincinnati 

• Why I bought this book: My daughter highly recommends this writer

*******

   About halfway through reading this book, I had emergency gall bladder surgery. I tell you this because while drifting in and out of consciousness during recovery, I starting having some wild and colorful hallucinations, feeling that I was traveling through other dimensions of time and space. 

    It made me sort of leery about returning to the book, but also more appreciative of the images and descriptions in Chambers' writing.

    It's actually a fun book, an exploration of the foibles and frustrations of humans -- and to a larger extent, all sentient beings. It puts them together on a spaceship, The Wayfarer, tasked with punching wormholes to facilitate interspace travel. 

    It forces everyone -- humans, lizard-like beings, and assorted blobs and lobster-like and artificial intelligent beings -- together so that we rethink culture and thoughts and mores and idiosyncrasies.

    But like in all good worlds, love and appreciation of tea is a constant.

    The chapters and adventures are like episodic television, as the crew sets out on a mission to build new pathways through sometime hostile space frontiers, meeting and greeting other worlds and species. It's got science, excitement, danger, and hope for the future.

Book Review: Haven

 

•  Author: Emma Donoghue

• Where I bought this book: The Strand, New York City. 

• Why I bought this book:  Donoghue is one of my favorite writers, and this is her latest.

********

    This slow, meandering narrative is like taking a trip down the Shannon River sometime in the Seventh Century.

    It's a meaningful ride, one of compelling stories and heartbreak, of questions of life and immortality, of whether being alone is the same as loneliness.  

    It tells of Irish history, both physical and spiritual. It tells of Christian ideology, or the desire to please that version of  god above all else, whatever that may mean. 

    It begin when Artt, a monk at a monastery on the western coast of Ireland, has a vision of himself and two other men  finding a more isolated location to better worship God. Artt feels the current monastery has too many comforts -- regular meals, a warm place to sleep, and music during the evening hours. But Artt fervently believes that only by suffering and fending for themselves -- and above all putting God at the center of their lives -- could they properly honor his will.

    So he gathers Trian, a naïve young man, and Cormac, who came to the monastery late in life, after his family died in a plague, and the trio sets off to find an isolated rock on Ireland's Atlantic coast.

    The novel continues its slow journey, as the men find Skellig Michael -- an actual place eight miles off the coast of County Kerry that was founded by monks sometime in the latter part of the First Millennium. It is what Artt wants, set off from human habitation, a windswept, rocky land that would focus their minds on worshipping, honoring, and praising God.

    The basics of this story are real. Skellig Michael, now a tourist attraction, is lonely, cold, and hard to get to. Evidence shows that monks did arrive there more than a thousand years ago, built some stone structures and attempted to open a monastery so they could worship the Christian God more than life itself.

    You know, I get the desire to live alone, on some forgotten -- or as yet unknown -- part of the world. And while it's not for me, I get the dream of making a life on one's own, to be self-sufficient, to live among nature, and to sleep under the stars. 

    But what I don't understand is the need to welcome -- even to seek -- pain and suffering and deprivation to ensure your devotion is real. Artt insists that his monks should serve their God first and foremost, and thus building shrines and worship centers must take precedence over finding shelter and supplies.

    Artt wants the days to be spent honoring God, which includes copying out, by hand, the words of the sacred text. And to do this means creating the paper, ink, and writing materials, instead of finding food, water, and other necessities of life. Artt nixes the latter, saying only that God will provide. To doubt that is to doubt God.

    Donoghue explores the questions of what is love and survival. She blends the aspirations of Trian and Cormac to serve God and keep their vow to obey and follow Artt despite his  contentions that God wants them to suffer while doing so.

    Artt sees their human needs as selfish, while they come to see his philosophy of God as rather pointless. 

Book Review: No Country for Old Gnomes

 

•  Authors: Delilah S. Dawson and Kevin Hearne

• Where I bought this book: The Book Loft, Columbus, Ohio 

• Why I bought this book: I was looking for the strange, and fantasy is weird

*******

    I now know the difference between gnomes, dwarves, and halflings. They are all short, insulated creatures who like their routines, but have their differences and individual peculiarities. They are not adverse to adventures.

    If one must go on an adventure to save the world.   

    This tale mirrors their lives. It -- and they -- starts slowly, meandering about. Indeed, I found the beginning rambling enough that I considered abandoning it.

    But then the quest -- that should be The Quest -- began. 

    And I saw it was good.

    Here's a quick summary: Halflings are attacking the gnomes, bombing their underground huts and otherwise disrupting their lives. The various leaders of Pell are either helpless to stop the attacks, or don't care. The other creatures ignore the problem, hoping it'll go away, because it does not affect them.

    You can read this as a metaphor for society if you want.

    Eventually, the various Questors -- a robot, two gnomes, a dwarf, a halfling, an ovitaur* named Agape Fallopia, and a gryphon** who eats, speaks and hears more intensely than all the others -- come together to cross the country to find the goat King Gustave. (He literally is a former goat who magically transferred to being human, which he still kind of regrets, but is diligently learning human ways.) They also need to see the kanssa-jaarli, the gnome-halfling council meant to mediate disputes.

    All of the Questors have their issues. The gnomes are trying to break out of their gnome-shells. Agape steals salt shakers, and inserts extra A's into their speech. The gryphon is particular about language and colors. (Blü is different than blue. Respect the umlaut!) The halfling, Faucon, is a pessimistic legal scholar, who says at one point: 

To find a way to make oneself heard, and to make it matter, is rarely an easy thing, even when the courts are on one's side and one's toe hair is perfectly combed.

    The tale is, of course, fantastical, told with lots of humor, wordplay, and oddball characters -- vampires who double as dentists, and a witch who dislikes apples, for instance. The authors sometimes get carried away, but it's all in good fun.

    It lives up to the reasons I bought the book.

_________________________________________________

*Body of a sheep, head of a human,

**Head and wings of an eagle, body of a lion.