Book Review: Bitch

 By Lucy Cooke

• Pub Date: 2022

• Where I bought this book: Left Bank Books, Saint Louis. 

• Why I bought this book: I heard a Science Friday interview with the author, and I was fascinated

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     Lucy Cooke takes on a lot in this wide ranging study, from Charles Darwin himself, to the male scientists who ignored female ingenuity over the years, to the female scientists who are seeking to right those wrongs, to Disney's ignorant portrayal of the natural world. She does so with a sharp eye, a sharper wit, and mountains of research and interviews to back her up.

    I'm not sure what is more impressive about her work -- her thesis that the females of the species have been wrongly portrayed over the past two centuries, or the staggering amount of research, field trips, and people she has interviewed while working on this book.

    It results in wide ranging factual discussions about animals from the tiny spiders who engage in all kinds of kinky sex -- including oral sex, cannibalistic sex, bisexuality, and bondage -- to the great orca whale, one of five species on earth -- including humans and three other toothed whales -- who undergo menopause.

    She starts by blaming Darwin as a man of his Victorian times, the founder of evolutionary science, who believed it dictated the activities of the two sexes. Males take advantage of the abundance of sperm and mimic it by being active, aggressive, and promiscuous in their sex lives. Females, who have to protect their limited supply of eggs, became coy, passive, and selective. These traits were projected onto humans. So it was, and so it ever shall be.

    Bollocks, says the Oxford educated Cooke.

    As just one example of misguided illusions she cites: In the animated movie Finding Nemo, the anemone mother, Coral, dies while laying her eggs during a barracuda attack, leaving just one hatched egg to survive. Years go by, and we are shown how the overprotective father, Marlin, goes to search for his missing son, Nemo. But clownfish such as Marlin and Nemo are female-dominant species. Should the mother die, the male father would switch to female. The son would quickly mature and mate with her, producing more young.

    I'm guessing Disney did not find evolution particularly family friendly in that case.

    (Also, penguins do not exist in Madagascar, and ring-tailed lemurs have a queen, not a king, because they are a female dominant species.)

    But Cooke takes down more than pop culture's assumptions. She offers, sometimes gleefully, the many female-dominant species that are promiscuous and cunning in their sex lives. Take the female songbirds, long thought to be monogamous for life, who often slip away for a little extra sexual relations on the side before returning to the nest. They may be socially monogamous, but they seek out and enjoy the extra male attention.

    Why all this happens is still being debated, investigated and researched. It's a lot of work, and example of contradiction abound. For instance, chimps and bonobos, our closest primate evolutionary mates, are total opposites.

From the book: An image
of a female bonobo
in the throes of passion

    Chimps are male dominated, aggressive, and violent. Bonobos are female-led, aggressive only in sharing sexual activities -- they enjoy frottage as foreplay, for helping them reach decisions for the group, and as a social diversion -- and peaceful. (And yes, bonobos are believed to be one of several species in which females enjoy orgasms.)

    A few quibbles here: Cooke tends to repeat herself over the chapters. And sometimes, she provides too much information, such as telling us how she interviewed a scientist over Zoom or Skype, which honestly felt irrelevant. 

    But her research is impressive. After a book of 288 pages of heavy if enjoyable reading, she has 90 pages of acknowledgements, notes, and an index. There are also numerous footnotes in the text, and you should read them. How else would you learn that a 16th Century Catholic priest with the unlikely name of Gabriele Falloppio was the first to identify and describe the clitoris -- and invent the first prophylactic sheath to shield against syphilis?

    Cooke hopes her book's reception will lead to more research, more equality between the sexes in human culture, and a greater acceptance of gender fluidity, which is rampant in the natural world. The transitional anemonefish "rocked my world," she said in closing.

    Discovering that biological sex is, in truth, a spectrum and that all sexes are basically the products of the same genes, the same hormones, and the same brains, has been the greatest revelation of all. It's forced a shift in my perspective o recognize my own cultural biases and try to banish any lingering heteronormative assumptions about the relationship between sex, sexual identity, sexed behaviour and sexuality.

    All I can add is, #MeToo. 

Book Review: Call Me Cassandra

 

• Author: Marcial Gala 

• Translator: Anna Kushner

• Where I bought this book: The Strand, New York City

• Why I bought this book: The author's character says he is literally Cassandra

*******

      Mixing ancient Greek myths with recent Cuban history, this slim volume (just 211 pages) packs in history, culture, and literature.

1. It features Cassandra, one of the best known mythological characters.
2. It's historical fiction from the mid 1970s, an era rarely covered.
3. It was originally written in a foreign language and has an international theme.
4. The story's plot includes several Greek gods and goddesses, including Athena, Aphrodite, and Zeus, whom the main character refers to as "father Zeus" and "Zeus who reigns on Olympus," among other epithets.
5. It's a literary masterpiece, entwinning visions of Greek mythology with escapism and anti-war fervor, and transgenderism with patriotism and finding oneself. It blends death and re-birth by metaphor, allusion, and complexity.

    But that complexity, and a writing style that rambles in and out of the past, present, and future, from dreams to reality to apparitions, make it a difficult read. Parts of the book also include disturbing descriptions of abuse, including sexual abuse. 

    Raúl Iriarte is a young man growing up in revolutionary Cuba, in the small town of Cienfuegos, with an abusive father, a depressed mother, and a dead aunt. He's small, thin, light-skinned, and blond,  likes to read, and is regularly bullied at school. He likes to dress as a woman, which his mother encourages because he resembles her dead sister. He knows he is the reincarnation of Cassandra, and has the same gift of prophecy as she did. But he tell no one the latter, because, well, he's Cassandra.

    As he turns 18, he's sent off with the Cuban forces to intervene in the civil war in Angola. There, he is maligned and abused because of his looks, his effeminate natures, and his perceived homosexuality. 

    A key scene in the book is a Cassandra narration about the troops cleaning their weapons and singing a corrido, a Mexican ballet that commemorates a tragic event.

Then they move on to I'm leaving your county, and they finish with the part that goes goodbye, lady, / goodbye forever, goodbye. I'm listening to them from here, Zeus, from the earth where I lie, dust among the dust. That corrido has been with me since we were getting ready to disembark in Angola. It was our true national anthem. We sang it when we were able to score some rum, or high-proof alcohol, and if we couldn't score, we sang it, and now, under the African sun, where we are already aware of what it means to be at war, what it is to shiver feverishly with a thirst that won't go away, what it is to carry fear the size of an enormous house, we sing it now too.

     It sums up the tangled relationship of emotions, fears and contradictions of the characters. Emotions about family. Fears about the future and one's place in society. Contradictions about country and patriotism. 

    From the Achaeans invading Ilios because of a perceived slight from a member of its ruling family, to the Cubans meddling in the internal affairs of Angola, Raúl/Cassandra melds past and present, self and society, and existence and displacement into one provocative book.

Book Review: Didn't Nobody Give a Shit What Happened to Carlotta

 By James Hannaham

• Pub Date: 2022

• Where I bought this book: Roebling Books & Coffee, Covington, Ky. 

• Why I bought this book: I liked the optimistic title

******

    

    Carlotta Mercedes is a transwoman getting out of the joint in upstate New York after 20 years behind bars. 

    In her first couple of days of freedom, she has to return to her family's home in a changed Brooklyn, reintroduce herself to her son, Ibe -- who last knew her as his father, Dustin -- figure out the intricacies of the parole system, find a job, and stay on the straight and narrow path. All of this happens during the July 4th weekend, while her family is holding a combination holiday party and wake for a man she doesn't recall knowing.

    We hear her frustrations, her joys, her confusion, her anger, her bitterness, and her dreams as she explores Brooklyn and her old stomping grounds, the gentrified Fort Greene section.

    It's a new world for Carlotta, who last roamed the streets in the late 1990s, partying, dancing and listening to the latest music, while exploring and questioning her sexuality and gender identification. Then she got caught in her cousin's robbing of a liquor store, and wound up testifying against him but still getting a 20-year sentence because her cousin shot the clerk.

    So, in this award-winning novel, she talks about the hellhole that the state prison system is, a world of bartering, suffering, and danger. She is raped by both the inmates and the guards. She spends time in solitary, which for her is torture. She does find a lover, but wonders if he is worth it because he's unlikely to get out.

    All of this is told in flashbacks, in a long-winded, almost stream-of-consciousness style. We also hear her rambling about her current situation, wondering how she can get through the weekend, fix her problems, and still follow the parole rules. She is ill-equipped to do so.

    This is a story of transitions: Her gender transition. Her move from prison back to the streets, her youth now gone, but her mind still back in her early adulthood. The changes in her neighborhood, and her lamentations about all her friends who died too young over the years, including the rappers who helped make the neighborhood famous.

    Still, we can easily root for her, despite her flaws. She is in some ways not a good person, but she tries, and often her heart is in the right place. The book shows how the system isn't made for the likes of Carlotta, almost forcing her to break the rules that seem rigged against her.

    The book is her voice. Hannaham does a fine job of representing her, catching the cadence and rhythms of her language.

Book Review: Days Without End

 Days Without End, by Sebastian Barry

    At one point in reading this painful novel, I was thinking of putting it aside forever. But I ploughed through, and eventually, it was worth it. But beware this is a depressing, violent, and traumatic book. 

    The plot, such as it is, is secondary to the descriptions of the scenes and the settings. And while the writing is evocative, it can be incessant at times. And some of those vivid descriptions deal with long passages about slogging through rain, snow and mud, or with hatred, fear, and slaughter. 

    The voice telling us all this comes from the main character and protagonist, one Thomas McNulty. He is a remarkable person to tell this story of the wild west, the Civil War, and the attempted genocide of the Native population. He is an Irish immigrant whose family died in the Great Hunger, a soldier, and a gay man who is gender fluid. He enjoys dressing as a woman, for a job, in the theater, and in his personal life. His loving relationship with John Cole, another male character, is a constant throughout the book.

    Barry gives McNulty a voice in the style of an uneducated person of the mid-19th Century. He uses language, terms, and expresses ideas that likely were common for the time, although considered offensive, if not derogatory and unacceptable, today. Yet, the gay love and transgender issues are treated in a matter-of-fact manner. While the two men often hide their love from others, they are sometimes accepted as a couple. In a passage late in the book, McNulty describes how he is comfortable with being gender fluid.

I am easy as a woman, taut as a man. All my limbs is broke as a man, and fixed good as a woman. I lie down with the soul of a woman and wake with the same. I don't foresee no time where this ain't true no more. Maybe I was born a man and growing into a woman.

    The story follows Thomas, or Thomasina, from about the time he is 12 when he and his partner, often called Handsome John Cole, run away from their orphanage and set out to explore the country. They get jobs as female dancers in a mining town, which is otherwise without women. It's not a sexual thing, but about companionship, and it is an enjoyable experience for Thomasina.

    The pair then join the cavalry. This is where the book bogs down. Pages and entire chapters are dedicated to their travels and travails though the mountainous west, the intricacies and politics of army life, and the murder and dehumanization that occurs during the Indian Wars.

    Then we read similar tedious descriptions about the battles of the Civil War.

    Eventually, John Cole, Thomas, sometimes as Thomasina, and a Native child they have adopted settle in Tennessee with an old Army buddy and a few others. But even that life does not go smoothly, and there are more long-winded tales of unpleasantness.

    But for the most part, it is a satisfying ending worth getting to.

Book Review: Every Heart a Doorway

Every Heart a Doorway, by Seanan McGuire

 

   If you are seeking a world to fit into, look for a door. It likely won't be an ordinary door, or you may not recognize it as one. But go to it, and twist what passes for a knob. If it turns, step inside.   

 

   This is your place. It's real, and it should make you happy. 

    Such is a message from Doorway, a strange tale from strange writer. 

    But its message is also acceptance, a plea and a command to welcome  others as they are. Don't judge. What you may think of as others' demons, their quirks, or their differences, may merely be their means of getting by in this world. 

    Doorway is a small, short book -- the first in a series of many, which was first published in 2016. I just discovered it last month.

    It's set in an unusual school in the wilderness somewhere. There, children who have found but returned from the doorways to their worlds -- whether it's a tiny fairy door set into their bedroom wall, or a retangular hole slashed into the air -- are sent to cope and struggle through their desires and the reactions to them. Most want to return, but they cannot find their doors again.

    So they try to make the world they are in their world, and seek to adjust to their differing realities. 

    These children, Nancy, the narrator; Jack and Jill, twin sisters who need each other; Christopher, who came from a world of skeletons; and Kade, a transgendered boy whose parents think should return only as the little girl they wanted; and several others, all go to Eleanor West's school. Miss West, of an undeterminate age, also wants to return to her doorway, and her world. But she cannot find her door -- or perhaps doors are only for children -- so she has created a world of her own, as well as for others.

... her family had owned the countryside for miles around, and now that she was the last, every inch of it belonged to her. She had simply refused to sell or allow developments on any of the lots surrounding her school. ... Some of her greatest detractors said she acted like a woman with something to hide, and they were right, in their way; she was a woman with something to protect.

    So, on this land, with these children, there is an adventure, and a murder mystery, along with sadness and despair. But at times it's light-hearted, warm and fuzzy, and it will leave you with a good feeling. You may not like or enjoy each character's emotions and reactions, but you will come to understand and accept them.

    That's a credit to McGuire's imagination, her kindess, and above all, her outstanding writing.

Book Review: Desdemona and the Deep

 Desdemona and the Deep, by C.S.E.Cooney

    This book reads like animation, complete with a comic sidekick and larger-than-life characters.

    Consider, for instance, when we are introduced to Desdemona's guide through the World Beneath the World Beneath. The Gentry Sovereign bellowed for Farklewhit:

"The response was immediate. From the air at Desdemona's left elbow there came a loud popping noise. This was followed by a fizz, a flare, a sizzling dazzle of color so bright in the mother-of-pearl twilight that Desdemona had to squint her eyes against it. And out of this fireworks display stepped a cloved-hoofed creature in a pink lace apron."

    But this short novel is much more than its multi-genre combination of science-fiction, fantasy, and a little romance.

    It's also an allegory, set in an alternate world rife with industrial pollution and its idle-rich overseers They spend their days drinking, dressing up in wild costumes, and holding elaborate fundraisers for the victims of their wealth. We first see the world during a ball for the Phossy Girls, young women who are literally wasting away from the phosphorus poisoning they get from their jobs as match makers.

    The characters can be gender-fluid -- Chaz, who dresses in woman's clothes in the surface world, becomes a woman -- and species-fluid, which involves growing tails, fur and extra eyelids. Mostly, this shocks and then delights the characters.

    The story, which starts slowly but builds to a crescendo, involves a act of conscience from Desdemona, when she overhears her father bargaining for the lives of the workers in his coal mine in return for great seams of minerals. She decides to go underground to save the tithe -- the extra men who will die in payment for the deal.

    What follows is a bizarre tale in a mostly different reality. The characters are strange yet reconizable, with a mix of human emotions and non-human bodies and senses. With its wild descriptions and colorful narrative, it becomes at times like a stoner novel. 

    But ultimately, it deal with life, wealth, and suffering. Sometimes for pleasure, but sometimes for a cause beyond one's self.