Book Review: Mister, Mister

  By Guy Gunaratne

• Pub Date: 2023

• Genre: Literature, Fictional Memoir

• Where I bought this book: Barnes & Nobel, Florence, Ky. 

• Why I bought this book: I liked his first novel about growing up in Birmingham  

 ******

 

   When Yahya Bas, British subject, Islamic poet -- and thus suspected terrorist -- awakes in an isolated jail cell, a policeman is there to take his statement. Bas refuses to say anything. Instead, he cuts out his tongue, preferring to write his story. 

    That is this book.

    It's a memoir, a political statement, a tale of growing up poor and out of place -- both culturally and geographically -- in the West Midlands of England.

    It's a wonderful tale from a poet, a suspected terrorist, and a literary phenom. He's tired of being bullied, suspected, and deceived. 

    "I just want you to listen," he says early in the tale. "I have plenty to say."

    So he writes his story, from his birth to a Muslim family that is only partially his own. His mother is around, but she has mental issues and stays alone in her room. So Yahya is mothered by a group of women, all of whom live in the dilapidate building with his uncle, Sisi Gamal, his teacher, mentor, and sometimes tormentor.

    He winds up attending a Muslim school, where he meets up with a group of friends, exploring Britain's treatment of the world, including his Islamic culture. He is profound, literate, angry. He studies all manner of writings, from the poets of ancient Egypt, Syria, and other parts of the Middle East, to the European scribes of the Middle Ages and onward.

    Soon, Yehya starts writing poetry. It is profane and bitter. He takes the name Al-Bayn, a nod to his culture, an ancient Greek or Celtic name for Britain, and the mystic world of William Blake. He becomes famous in his own community, attracting large crowds and disruptions. The authorities, fearful of his writings and his impact, see him as a threat.

     So he flees and wanders, eventually finding himself in the desert world of his ancestors. In his voluntary exile, he find his own heritage lovely if uncomfortable, difficult if welcoming. He find acceptance, but pushes away, and his return to England is not as voluntary as his leaving. 

    Yet no matter where he goes, he finds himself a nomad, an outsider. He has a lot to say, but he struggles with what it means. We struggle along with him.

Book Review: The Weaver and the Witch Queen

 By Genevieve Gornichec

• Pub Date: 2023

• Genre: Magical Fiction, Historical Fantasy, Historical Fiction

• Where I bought this book: Barnes & Noble, Florence, Ky. 

• Why I bought this book: I enjoyed her debut novel

 *****

  

    Gornichec's second novel is not so much re-written mythology, but re-written -- or perhaps invented -- history. She calls it historical fantasy, inspired by medieval Icelandic sagas.

    And it's a decent book about those tribal times, when life was hard and bloody, cold and violent, and ruled by vicious and power hungry illusory kings.

    It's a decent read about Gunnhild, a young girl who doesn't admire the Viking lifestyle and who  dreams not of marriage and family, but adventure. She and two friends, sisters Oddny and Signy, take an oath to become blood sisters, intertwining their lives and futures.

    Gunnhild gets her early wish when a seeress/witch called Heid bids her to follow, and becomes her teacher and mentor. A decade later, Gunnhild strikes out on her own, a witch who still has a lot to learn.

    We don't see her training, but her life as she emerges and seeks to catch up with her blood sisters. The story is quite violent. The job and lifestyle of the Vikings and their leaders are to raid farmers and villagers, taking what they can, killing whoever tries to stops them. Gunnhild isn't sure how she fits in.

    Those Viking leaders -- from families of wealth from raiding -- hire more raiders, called the hird. They demand payoffs and loyalty from those who don't want to be raided and killed or enslaved, thus rising in the royal hierarchy to become  hersirs, jarls, princes, and kings. Sounds like a protection racket, but it happened all over Europe during these times.

    Gunnhild steps into this life, with her own wants and desires, friends and enemies. There's a lot of drama, backstabbing, and witchery. There's some romance, which comes with its own drama.

    So it's a nasty story, although it has some high points. It abounds with strong women and others who seek an alterative life. They guide and help each other, yet bicker and betray when it suits them. They pray to the gods and goddesses, who rarely play a major role in their story. 

    Bonuses include an Author's Note that explains her background and the foundations of Norse history. It includes a list of characters and terms, which are helpful in keeping track of who is who and what is what, and how people are related. I appreciated all those touches, and a map would have been nice.

    Overall, it's a well told tale. The writing is consistently strong. The action mostly moves along, although it tends to get bogged down in the drama and the romance.

    I suspect we haven't seen the last of Gornichec or her characters. Perhaps this will become a multi-part series, with more drama and romance and intrigue. Although I would prefer she go back to writing about the ancient gods and goddesses.

Book Review: Jonathan Strange & Mr Norrell

 By Susanna Clarke

• Pub Date: 2004

• Genre: Magical Fiction, Fantasy, Historical Fiction

• Where I bought this book: Roebling Books & Coffee, Newport, Ky. 

• Why I bought this book: I was enchanted with her other work, Piranesi  

 ********

 

   An imaginative, expressive and tantalizing labyrinth of a novel, harmed only by its somewhat excessive length.

    Still, I was enthralled by its writing, its originality, its sense of magic, and the vibes it gives off of being an old, even ancient, work of art.

    Set mostly in early 19th Century England, a time of lords and ladies and excessive privilege amidst the belief of Rule Britannia, it showcases a time when Great Britain ruled the world with its dominance and might -- and was determined to return literal magical powers to the island.

    To do so, the country recruits the two magicians of the title, who have determinedly different ideas about the proper use of magic. Mr Norrell, a bookish and crotchety old man, sees magic as a calling that should be limited to those who venerate it. Indeed, in his reverence for the use and history of magic, he sees himself as its gatekeeper.

    But under pressure from the country's nobility, he agrees to take on a young student, Jonathan Strange, a gentle soul who has some liberal -- and to Mr Norrell, decidedly appalling -- ideas for magic's use and place in society.

    Clarke's narrator is a regal lady, of high repute, who will not be trifled with. She knows all, and will deign to tell you in her own sweet time. She will not be rushed, nor forced to use some of those new fangled words of English. She will shew you what is going on, when and how she chuses to. She writes of mediaeval times, Her words are rare, exquisite and precise.

    She writes of a doctor and his family on a summer tour of Venice, Italy.

They were excessively pleased with the Campo Santa Maria Formosa. They thought the façades of the houses very magnificent -- they could not praise them highly enough. But the sad decay, which building, bridges and church all displayed, seem to charm them even more. They were Englishmen, and, to them, the decline of other nations was the most natural thing in the world. They belonged to a race blessed with so sensitive an appreciation of it own talents (and so doubtful an opinion of any body else's) that they would not have been at all surprised to learn that the Venetians themselves had been entirely ignorant of the merits of their own city -- until the Englishmen had come to tell them it was delightful.

    Oh, and the feuds between the two men are devilish and dramatic. Mini spoiler alert warning:. At one point, one of the duo publishes a three-volume history of magic. The other uses his powers to buy up all the copies and make them disappear.

    The tale itself winds through the Napoleonic Wars, the Battle of Waterloo, and the tale of an ancient king from the North of England returning to claim his domain. Oh, and there are Faeries. Lots of Faeries. Good Faeries, bad Faeries, sneaky Faeries, and many, many more.

    At times, it's a bit overwhelming. The story gets muddled and a tad repetitive. You find yourself wishing she'd wrap it up, as the night continues on into morning, but she will not be rushed. Any resolution seems far off.

    But as with Clarke's novel Piranesi, it is how the story is told that is the true work of art.

Book Review: Long Island

 By Colm Tóibín

• Pub Date: 2024

• Genre: Irish fiction

• Where I bought this book: The Book Loft, Columbus, Ohio 

• Why I bought this book: I'm a fan of Tóibín's work  

 ***

     The opening here sets up a memorable conflict: A man knocks on the door of his neighbor's house. Relates how her husband got his wife pregnant. When the child is born, he says, he is going to drop the kid on her doorstep, and it will be her problem. Then he leaves.

    Thus we return to the trials and tribulations of Eilis Fiorello, nee Lacey, an Irish woman from the County Wexford who emigrated to Brooklyn and now lives on Long Island with her husband Tony and their two teenage children. It's an uncomfortable arrangement. Tony's large Italian family -- parents, two brothers, their wives, and children -- live in four clustered houses on a cul-de-sac in Lindenhurst, some 50 miles from New York.

    So far, so good. The story is interesting; the characters -- especially the mother-in-law, Francesca -- are colorful, and the writing, so far, is tight and easy. 

    But midway through, things go off the rails.

    We first met Eilis in the novel Brooklyn. Saoirse Ronan played her in the movie of the same name. The dust jacket on this novel calls her Tóibín's "most compelling and unforgettable character."

    But she's not.

    Instead, she's a morose, secretive, lost woman trying to find her way in a world she doesn't care to understand. Now 40, and living during the 1970s, she assures one and all she does not want the baby, does not like her living arrangements, and does not enjoy her in-laws' claustrophobic lifestyles. The feelings are mutual (except grandma wants to raise the kid).

    Not to give away more of the plot, but eventually Eilis returns to her hometown for a visit. (I am sure in the eventual movie there will be montages of the town of Enniscorthy and the surrounding green fields, and it will be lovely.)

    Here, the plot really breaks down. None of the characters -- the ones in America or the ones in Ireland -- are particularly likeable. In many ways, they border on stereotypes: The Italians are insular and deceitful. The Irish are moody and critical. Their activities are mundane: Having tea, drinking in the pub, sneaking around the town.

    The writing also seems to decline here. Perhaps it's the characters' whinging, or their incessant gossiping. And we can see the ending coming, although by now we could care less about their lives and their futures.

Book Review: The Ministry of Time

 By Kaliane Bradley

• Pub Date: 2024

• Genre: Fantasy, time travel

• Where I bought this book: Roebling Books, Newport, Ky. 

• Why I bought this book: The idea of time -- and time travel -- fascinates me  

 *****

    I love the concept of this book -- bringing people from the past into the present -- but its execution was, shall we say, a bit disjointed.

    It has a lot going for it. The writing is decent, with flashes of brilliance. The characters for the most part are diverse and well rounded. Their biographical backgrounds -- and more than one is actually taken from the pages of history -- are compelling.

    Our hero and narrator, who is not named for the bulk of the novel, is an Asian Englishwoman working in the British civil service. She was born in Cambodia and lived through the Khmer Rouge takeover and genocide, survived and moved with her family to the UK and now lives in London. As the book begins, she finds her new job is part of a time travel experiment. Various people from other eras of the British Empire will be brought into the 21st Century. She will be a bridge to help them acclimate to the current time.

    The newcomers will be called expats, rather than refugees, the latter being considered an unflattering term. Our hero, a refugee herself and currently an expert on languages, has mixed feeling about the issue.

    The book never delves into how the theorical impossibility of time travel is overcome. It simply posits that it was found sometime in the future, and the British appropriated the discovery to the current time and place. Precautions are taken to ensure the past is not changed; they are simply bringing people from previous times into the present. "Removing them from the past ought not to impact the future."

    Still, the book is written on various timelines, which can be confusing.

    Anyway, let's start with the good parts: The writing is stunning at times,  including lines like these:

            * "Ideas have to cause problems before they cause solutions."

            * "My mother ... had witnessed the sort of horrors that changed the way screams sounded."

            * "The wind shook me like a beetle in a matchbox." -- A line I so want to believe is a reference to Melanie's song, Alexander Beetle.

     The book explores the themes of people out of their elements and trying to fit in, often comparing it to the experiences of immigrants and refugees. How they are treated -- as a curiosity, savage, naive or incompetent -- is a constant element.

    There's a story in there that explains what happened, but it's so tangled it's sometime hard to decipher. The author throws in a romance and potential crimes of the past and future. As we move into the climax, it attains the elements of a thriller, as good guys and bad guys (and who are all these people?) battle to take control of whatever needs to be taken control of.

    Yet within that, that actions sometimes grinds to a halt and we are subjected to philosophical meanderings about what it all means.

    So go ahead and enjoy the writing and the story. Just don't try to hard to understand it all.