In Our Mad and Furious City, by Guy Gunaratne
Gunaratne's debut novel is both sad and angry, full of hope and full of despair. It is beautifully written in the voices of the old and the young, those who revolt in violence and those who see courage in running from the gathering storm. It displays the voices of those united in their poverty, who have lived its hatreds, its futility, and its destructive impulses.
This is London at its inner core, with the story of the dispossessed, growing up in the shadow of massive towers built for the unwanted. It's the story directly told by those involved -- the children and the parents who know the violence and the heartbreak of being outside the mainstream.
The story is told in five voices: There are Selvon and Ardan, who are both looking for a way out. Yusuf is torn between the comfort of and the growing oppression of his religion, and the influence it is having on his older brother, Irfan. Nelson and Caroline are the remnants of an older generations who have seen it all before.
The story is told in five voices: There are Selvon and Ardan, who are both looking for a way out. Yusuf is torn between the comfort of and the growing oppression of his religion, and the influence it is having on his older brother, Irfan. Nelson and Caroline are the remnants of an older generations who have seen it all before.
At the start, the style is a bit confusing: the characters take some time to become individually known and recognized. Their occasional use of British slang muddles the issue; here Google was my friend, as I looked up the words and learned something. Those terms quickly became well-known, innit?
The voices soon become familiar and reassuring, and their temperament becomes soothing as the story increasingly grows edgy. Here comes the aftermath of a soldier being killed and his body hanged. An angry white mob wants revenge, and descends upon the council estate (public housing) of mostly immigrants of color from Southwest Asia. Those residents, who simply want to move on with their lives, either stay and battle or avoid the fight. Complicating the issue is the new leadership of the local mosque, which wants its membership to become more insular and conservative.
The writing complements the book's rhythm and flow. As the struggle nears its climax, the chapters get shorter, the writing tighter, and the action more intense. You feel yourself in the midst of everything, as you are hearing from all the characters' perspectives. It's a strong ending for the story, by a brilliant writer.
The book's blurbs are filled with comments about how we will hear a lot from this young writer. I agree. This novel was on the longlist for the 2018 Man Booker prize. He is off to a fine start.
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