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December 2, 2019

Book Review: Going the Distance

Going the Distance: The Life and Works of W.P. Kinsella, by William Steele


Kinsella's life was successful, yet uneven. The same can be said for this biography.

For starters, it was filled with too much minutia. I do not need to know about every date Kinsella went on in high school, nor every address where he lived.

Instead, I would have liked more information about the reviews and responses to Kinsella's works, especially the debate about the fiction he wrote in the voice of indigenous people. The view that Kinsella was guilty of cultural appropriation grew throughout his life -- particularly as he became more popular for his other works -- but was treated as an afterthought in the book, spread out amidst the pages, rather than as an idea that should have been evaluated as a specific criticism of a portion of his work.

Perhaps the structure of the biography dictated how it was handled. Instead of categorical breakdown, it was written in a strict chronological order.

Still, the book presented a wealth of information about Kinsella's life and writings. He set his goal on being a writer at an early age, and despite feeling hampered and discouraged throughout those early years, made good on his goal. The book also showed how incidents in Kinsella's upbringing on an isolated farm outside of Edmonton, Canada, affected his prose. He used other experiences in his life in his stories and novels, but denied his works were biographical. Again, this issue could have been explored in a chapter, instead of interspersed in the book.

Kinsella, who died of assisted suicide in 2016, also had a disjointed private life. He hated most of his early government jobs, because he hated government and bureaucracy. He became a university professor for a span, but for the most part, he hated teaching. He hated all forms of religion, but his description of religious people could mirror a description of himself.
"... (T)here is a smugness about every one of them, a condescending sense of superiority, which the more they try to hide it, the more it shows."
The book is at its best when it explores Kinsella's growth as a writer. That may be because the growth went along Kinsella's timeline -- for the most part, he got better as he grew older and more experienced.

He was a prolific writer, often having five or more stories and books in process. He often would expand his short stories into novels -- a criticism by people who thought he was unduly padding out his stories -- but one that I would argue produced some of his best work. Shoeless Joe, for instance, started out as a short short, then a novel, and later became the movie Field of Dreams.

Steele spends a lot of time describing how the book traveled its path and grew into a cultural touchstone. He also discussed the impact it had on Kinsella and his life as a writer.

Kinsella's death in 2016 came as a shock, but his health had long been poor, and he went out as he wanted. He spurned life-extending measures that would have caused much pain and suffering, and choose to end his own life.

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