Book Review: Cursed Bunny

 By Bora Chung

• Translated by: Anton Hur

• Pub Date: 2017 in Korean; 2021 in English

• Where I bought this book: Downbound Books, Cincinnati, Ohio  

• Why I bought this book: The bunny on the cover told me to, and that it was shortlisted for an International Book Prize

******

    

    Short stories are not just truncated novels but have a flow and a texture all their own.

    In the hands of Chung, short stories take on the aura of fables, using allegories that shock and horrify, and rise to the status of a legend devolving into fantasy.

    She writes about absurd ghosts and lives lived brutally, about children and capitalism, and about war, peace, and the aftermath -- which brings us back to those spirits that can haunt us. 

    These tales are seemingly simple, told with little fuss and a minimalist style. They have few characters, none more than needed, and often are nameless, with only enough detail to tell the tale without shame or scorn. 

    But, oh, do they hold power over your mind and thoughts. There's also some nods to the misogyny rampant in the culture, and a feminist take. In The Embodiment, an unmarried, pregnant woman is told -- by her doctor, no less -- to get a father or the child will not grow properly. The woman responds by going out on seon dates set up by a matchmaker for the specific purpose of finding a man to marry her. 

    The opening tale, The Head, begins with a woman seeing a head rising from her toilet, calling out for "mother." It is created from her excretions. The title story, which reads like an old fashioned fairy tale, is about a man who creates "cursed fetishes" -- in this case a lamp shaped like a bunny. A second, similarly told story, Scars, is about a man who finds riches in the most evil places.

    The stories are tough to read, and reach into places that most would rather avoid. But Chung's style belies their nature -- her basic, matter-of-fact narratives let the tales stand as the epitome of how to write a short story.

Book Review: Stone Blind

   By Natalie Haynes

• Pub Date: 2022

• Where I bought this book: Barnes & Noble, Florence, Ky. 

• Why I bought this book: Retold mythologies are quickly becoming my favorite stories

*******

    

    

    Mythological stories destroy the maxim: It is the tale, not she who tells it.

    In one corner, we have Ovid (First Century BCE and CE, Rome), who describes Medusa as a monster, and Hesiod (Eighth Century BCE, Greece), who tells how Perseus bravely slew her to protect the people of Greece from her wanton ways.

    Decently told tales they are.

     Now, along comes Natalie Haynes (present day, England), to present a different version: Medusa was a kind and loving sister of the Gorgons, Sthenno and Euryale. Perseus, meanwhile, was a silly, scared, and spineless boy who needed help from several gods to carry out his bloody deed.

    Haynes is a witty and sarcastic writer. She breathes new life into these tales with a caustic eye and a feminist perspective. She tells them tale in many voices, from Athene to Euryale to Andromeda. We even hear from Zeus and Poseidon.*

   Oh, and about those gods and goddesses? Haynes doesn't portray them much better than the original writers from back in the day. Zeus, the king of gods? He's pompous, spoiled, and moody.  His wife, Hera, is petulant, angry, and vindictive. Athene? She's easily bored, always wanting, but never satisfied. The rest of the pantheon? A venal and petty group who are dismissive of the mortals who worship them.

    But perhaps the best narrator is the wickedly funny, unapologetic, and brutally honest Gorgonian -- the voice of the slain head of Medusa. She heaps scorn on Perseus (and, in doing so, on the readers for any sympathy they may show him) beginning with the underhanded way he tricked the  Graiai to give him their shared eye and tooth.. 

I suppose you thought he was clever. Clever Perseus using his wits to defeat the disgusting old women? Your own eyes aren't all that, you know. Oh, but at least they're safe inside your head.

    She continues to mock Perseus -- who carries her around in a bag and uses her to kill people to get his way -- for his lack of courage, his cruelty, and his stupidity. She agrees she is the best narrator. "... because I was there for all of it, and because I am not a lying deceitful hateful vicious murderer."

    So there.

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* She also provides us with a glossary of characters at the beginning of the book, which is a handy reference guide throughout.

Book Review: The Seven Moons of Maali Almeida

  By Shehan Karunatilake

• Pub Date: 2022

• Where I bought this book: Roebling Point Books, Newport, Ky. 

• Why I bought this book: The title, and it won the 2022 Booker Prize, which is always a good sign

******

    

 

   Even the dead in Sri Lanka continue to fight its wars, but only the ghosts see the irony in having the same enemies as the living. 

    This is one ghost's story of his country, which he loves, hates, and everything in between. As part of the living, he thought he was trying to change the wrongs, but his involvement failed to make anything better. He's not ever sure what better would have been -- because he sees the factions, parties, and terrorists as equal opportunity killers -- in life and after. 

    Maali is in the afterlife as the story opens, but remembers little about how he died -- or was killed, which he also suspects. He has seven moons to find out, and he spends the time reviewing and justifying his life, and the country's violent ways. 

    It's hard to determine his many roles in the violence, which surrounds him in death as it did in life. Because he is the narrator of this tale -- in both his ghostly self and as the main actors in his flashbacks -- he has a bias to make himself look good and the various sects who are the warmakers look bad.

    He's a photographer and a gambler, a journalist and a "fixer," who brings together outside reporters and members of the various militias, the military, the police, and the government men. 

    He's a gay man in a homophobic country, dating the son of one of its top officials. So his voice is sometimes self-suppressed -- and sometimes loudly outspoken and self-conscious.

    He's also wryly cynical and morbidly funny. He refers to the dead wandering the streets as a combination of the various gods and goddesses from the Buddhist, Hindu, Muslim, and Christian religions that are part of Sri Lanka. He calls others the Cannibal Uncle, the Atheist Ghoul, the Dead Child Soldier, and the suicides -- and wonders if they could collectively be known as "an overdose of suicides."

Outside in the waiting room, there is wailing. (A police officer) walks outside to console the weeping woman. He does so by pulling out his baton and asking a constable to remove her.

     The switching from Maali's past as a living being, to his current state as a ghostly presence, can sometimes be confusing. And the story also questions whether we are the same person, the same soul, as we move from life to death -- and perhaps, back to life again.

Book Review: The Long Way to a Small, Angry Planet

 By Becky Chambers

• Pub Date: 2014

• Where I bought this book: Downbound Books, Cincinnati 

• Why I bought this book: My daughter highly recommends this writer

*******

   About halfway through reading this book, I had emergency gall bladder surgery. I tell you this because while drifting in and out of consciousness during recovery, I starting having some wild and colorful hallucinations, feeling that I was traveling through other dimensions of time and space. 

    It made me sort of leery about returning to the book, but also more appreciative of the images and descriptions in Chambers' writing.

    It's actually a fun book, an exploration of the foibles and frustrations of humans -- and to a larger extent, all sentient beings. It puts them together on a spaceship, The Wayfarer, tasked with punching wormholes to facilitate interspace travel. 

    It forces everyone -- humans, lizard-like beings, and assorted blobs and lobster-like and artificial intelligent beings -- together so that we rethink culture and thoughts and mores and idiosyncrasies.

    But like in all good worlds, love and appreciation of tea is a constant.

    The chapters and adventures are like episodic television, as the crew sets out on a mission to build new pathways through sometime hostile space frontiers, meeting and greeting other worlds and species. It's got science, excitement, danger, and hope for the future.