By R. F. Kuang
- Pub Date: 2023
- Where I bought this book: Author's appearance, via the Novel Neighbor, Webster Groves, Mo.
- Why I bought this book: I read Babel by the same author, and it was fantastic
****
Still, Yellowface was disappointing. Kuang's previous work, Babel, was indeed worthy of high praise. So when she announced a tour to promote her latest book, I headed to the nearest location, Saint Louis, to listen to her speak. It was worth it.
So I eagerly read her latest, which delved into issues of diversity, inclusion, and cultural appropriation. It was meant to be a light-hearted look at the industry and how it handles the works of female and minority authors. I am sorry to say it fell flat.
It was bitter. It was whingey. It was lies, piled on top of thievery, with a heavy helping of social media vitriol, all with attempted justification. The main character, manuscript stealer June Haywood, comprised all of those traits, and then some.
She was friends with the vibrant and beautiful, best-selling and highly praised author Athena Liu. Then one night, while partying at Liu's luxurious and spacious apartment, Liu chokes on a piece of food and dies. Liu, of Chinese descent, had told Haywood she was celebrating because she had finished the first draft of her new novel about Chinese forced laborers in World War I.
After calling authorities and explaining how Liu died, Haywood was cleared of the death. As she left the apartment, she took Liu's manuscript with her.
She did some research, edited it and cleaned it up, then presented it to publishers as her own. Publishers were wowed and gave her a big advance, and suggested she used the name Juniper Song -- a variation of her birth name -- to make her sound more ethnic. They used a photograph that made her look vaguely Asian.
While enjoying all the attentions, Song also becomes afraid of being caught, using underhanded means to keep the truth hidden. Some readers either figure it out, or have inside knowledge of her deceit, and much of it is hashed out on social media.
We follow Song along her path, as she struggles to come to grips with what she has wrought. We also follow her and others on social media, and they direct criticism, bigotry, and at times threats and hate about her book and ethnicity.
But because of her actions, and her deception, it's hard to care for or about her or the path she has chosen.